The Devil of Moravia : The first innocent falls

Blood corpuscles

Image : Pixabay

 

Here be the next instalment of this torrid tale. Now, if you’ll recall, before Christmas we left Edmund in hopes of being reacquainted with decent society through the dubious channel that is Samuel Longmire Gordon. Go here to read the story from the beginning – one, two, three, four, fivesix , seven, eight, nine and ten.

Now read on …


Without another word, he bent stiffly to Samuel and said, ‘My name is Niccolo Vintila de la Slatina. Duke of Moravia, crown Prince of Bohemia.’

Samuel leaned back in his chair, fingering the long hairs at the base of his neck. ‘And what, Slatina, is your skill?’

The little man looked from Samuel to me, to the ladies and the ruffians seated on the couch.

‘Why, Lord Samuel,’ he said. ‘I can make your every wish come true.’

Samuel raised an eyebrow, at once amused and incredulous at Slatina’s astonishing claim. He laughed. ‘This is fine, fine amusement, Edmund. I wonder where you found such an intriguing creature.’

To relate the true story of our meeting would stretch the trust even of a scoundrel as low as Samuel. Instead I muttered, ‘Around and about.’

Samuel smiled. ‘The long way around and a far way about, I’d say.’

Golding and Cummings chuckled as if he were the greatest wit in the four corners of the county, their chins shining with spittle.

Now Samuel turned his chill eyes on Slatina. ‘Tell me, Prince Niccolo, how you intend to fulfill your bold promise.’

Something in the twitch of Samuel’s shoulders, the way he toyed with the buttons on his tattered coat made me wary. He was a tiger lounging in the cool shade, lazily following the scurry of a mouse until the slam of a paw, a squeak cut short.

Slatina stepped forward, extending his hand. Even in the dim light, the ropes of his veins were visible, river valleys on the plains of his wrist. He nodded to Samuel’s own hand. Cummings and Golding leaned forward, poised to act.

‘Now, gentlemen,’ sighed Samuel. ‘We are all friends here.’ He extended his arm.

The rogues watched Slatina closely, their small, mean eyes alert for the slightest danger.

Slatina’s fingers ran over Samuel’s, over his knuckles, tracing the bones and tendons under the ruddy skin in an action I found too uncomfortably intimate to watch for long. Suddenly he gripped the wrist hard, blood draining from Longmire until his now curled fist whitened, a cadaver’s borrowed from the grave.

For the first time since I had made his acquaintance, Samuel looked frightened, his eyes bulging in his head, mouth pulled tight. The criminals stood, the ladies too, the monkey still captive, swinging from its tail, held fast by Coral or Nancy Flitting, I know not which. The animal was squealing and hissing, bucking and clawing at the woman, catching her skirt, her bodice, snatching at her arms with its claws.

Dick Cummings reached to his belt, Jack Golding did the same, mere moments behind. The monkey screamed, the men drew their pistols, Samuel struggled and all the while Slatina stood calm as a wall.

With one last agonised wail, the monkey reached, pulled, snapped a sister’s necklace, a cascade of scarlet beads falling to the floor like droplets from a wound.

A loud bang. A cloud of smoke. The smell of burnt powder.

My ears rang, a low chime, undercut by a high whistle. Breathless, eyes stinging, heart large in my chest, I surveyed the room.

Samuel and Slatina were the same, caught in a moment, staring fixedly at one another. The rest of the company was in disarray.

The Flitting sisters were on their knees, the one who may have been Coral having lost her wig of lustrous curls, her bald head showing pink beneath wisps of sparse grey hair. The other woman wept piteously, her skirts bundled in her arms as if swaddling a stillborn babe. Jack Golding was slumped by the fireplace, head resting on his chest as if in deep sleep, a patch of darkness spreading across his waistcoat.

Of Dick Cummings I saw no sign. I can but assume that affrighted, he fled the house the moment his pistol discharged – though the man was surely used to bloodshed. I learned later he was caught and would have been hanged for many terrible crimes, were it not for the disordered state of his wits. He festers now in Bedlam, the finest blade in London a curiosity to those with pennies enough to gawp at him.

How had he come to shoot Jack, when he so clearly aimed for Slatina? I pondered that often in the coming days. Now I would not ask such foolish questions. For as I grew to know – as you shall too if you continue my companion in these last, dark hours before I drop to my grave – nothing was beyond this so called Duke, this Prince of Blood.

The sisters, still whimpering, gathered their shawls, their wigs, their fallen kerchiefs and hurried from the room, leaving the three of us alone with the corpse of the fallen cutpurse.

The wood crackled in the flames. Somewhere a clock ticked.

‘Samuel,’ said Slatina, his voice clear and firm, louder then I had ever heard him speak, ‘I know your deepest wishes. I know the dark pit of your heart more than you do yourself. For I see it free of confusion. Free of obligation. Free of the curse of a gentleman’s upbringing. And I make a solemn oath that I can bring you all you wish for. I have but one condition -‘

Here, he leaned into him, his chin almost resting on Samuel’s shoulder, his face hidden in his fall of hair. There were whispers – long and sibilant – then Slatina stood, finally releasing his hold.

I watched Samuel’s hand, watched the colour trickle back along the wrist, into the fingers, though I could not help but think it did not regain the healthy nature it possessed before.

‘I shall call on you on Tuesday next,’ said Slatina. ‘When I shall expect all to be in place.’

He turned quickly on his heel and was through the door, heading along the hall before I could gather myself. Samuel still sat, pale faced, a shrunken doll of his former self. I made to speak, but could think of nothing to say. All I wished was that I had never set foot in that terrible house. But what is done cannot be undone, so I made to leave with the utmost haste.

It was as I turned that I spied the monkey. It lay on the floor, part obscured by a fallen napkin, sharp little teeth showing past curled back lips. He was quite dead, his eyes clouded and fixed. Perhaps it was through the shock of his mishandling or the pistol’s sudden report.

Whichever. He would not be the last innocent to fall through this unholy meeting.

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34 thoughts on “The Devil of Moravia : The first innocent falls

  1. I’ve really enjoyed reading this, Lynn, and can’t wait to find out what happens next. Slatina is deliciously evil, while Edmund is so confused, and so trapped by his choices, that their interactions are fascinating. I’m very curious as to what exactly Slatina is wanting to achieve…

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    1. Thank you so much for taking the time to read the serial, Louise. I’m glad you enjoyed their dynamic – Edmund really has trapped himself, hasn’t he? A foolish, foolish man who will pay terribly for his mistakes. Whatever Slatina wants, it’s sure to have awful consequences for Edmund … Thank you so much again

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  2. Three things, excellently bad things happen in stories where necklaces break (Moulin Rouge, The Great Gatsby) and also “see you next Tuesday?! How covertly rude. 🙂 and alas, for the monkey… A wonderful cameo from an exteriorised Id that was arguably more human than the humans and therefore, an apt first target. 😥

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    1. Oh, you’re much too clever for me! I know of the concept of Id, but only because the other half studied a tiny amount of Freud years ago. But you’re right, an innocent plaything is an apt first victim for this nasty bunch. The broken necklace is perhaps a little over used as a symbol of the upset of the established order, but I thought acceptable in a bit of Gothic fun! Thanks so much for your thoughtful and intelligent comment 🙂

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      1. Indeed indeed, everyone loves a Gothic trope. I liked that the beads were ‘scarlet’ especially. Alas, just as I emoticon weep for fictional monkeys, I also cannot help being clever. It’s a female problem. But yes, a little amount of Freud is quite enough. Another author once referred to him as ‘the Cranky Viennese.’ Id is that part of the Unconcious which is the most given to sensation, pleasure and survival drives without recourse to morality and restraint, except what I liked about your monkey (there’s a sentence you don’t hear every day) was that he’d built up a kind of tender and mutually beneficial relationship. We ALL liked the monkey as you see. There’s a lovely monkey in the film ‘The Libertine.’

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      2. Yes, you’re right. The monkey seemed to have built a lovely relationship with Samuel – only for Sam to treat him so badly. A sign of the man’s inherrent devilishness! Monkeys – and many animals – are good symbols of Id, it seems. Not seen the Libertine, but monkeys were a popular pet, a symbol of wealth. The lamborghini of their day! 🙂

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      3. Oh really? I did NOT know that… hmm. Marmosets and the like were brought back to England for The Great Exhibition in London, where massive glass greenhouses were constructed to bring the wealth of the Empire back for the delectation of the people… but I suppose any rare thing is valuable. Good to know.

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      4. Anything that showed how much money you had going begging did the trick. In Stewart England the very wealthy would buy pineapples and leave them on display but not eat them – just to show off that they could afford something so exotic and then afford not to eat it!

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      5. Yes, I was listening to a comedy about that! You could rent a pineapple to impress guests for FIVE POUNDS. Huge sum. Forfeit for accidentally eating one and having to replace it was FIFTY or so.

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      6. Renting fruit? Now I’ve heard it all! There’s a factual book about the spice trade called Nathaniel’s Nutmeg (wonderful if you get the chance to read it) which has these wonderful descriptions of the Spice Islands, of men prepared to risk death to fetch nutmeg, cinnamon and pepper from across the other side of the known world. Makes you view your store cupboard in a whol other way 🙂

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    1. Please, never, ever be afraid to point out my typos! I love people who do it, honestly. I’d much rather that than have the post remain misspelt – you’re helping make me look smarter than I am, after all 🙂 Thanks for that and duly changed P.S Don’t you just love the name Spitalfields? Such a great word x

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      1. Gives me a funny kind of “tobacco and spitoon in the middle of chocolate-box countryside” image. Lot of uncouth louts but it’s a word that is both tall and curvy… as well as sibilant. Maybe that’s it? Also, noted.

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      2. Like that idea – “tobacco and spitoon in the middle of chocolate-box countryside”. I like many London place names, full of the city’s history – Cheapside, Marylebone, Elephant and Castle …

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      3. They are rather magical. I like the decadent ones like Belgravia and Fitzrovia. Sound like the names of Muses or characters in a German opera.

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      4. Oh, yes, good call on those. I do like the grubby sounding ones, though, the ones that sound as of they’ve been around a long time. There was a Medieval lane in London that had a REALLY rude name because it housed several brothels. Put it this way, it had the word ‘Grope’ and a crude word for the female anatomy. People who went there must have been under no illusion as to what they’d find!

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      5. Indeed. Haha. I have an affection for my idea of Cheapside, chiefly formed with Regency rose-glasses, because the Gardiners (the respectable relations of the Bennets) live there. Also, it’s just very ‘on the tin’. “Where in town do you live?”
        ” Oh, you know, the cheap side…”

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  3. Great action scene, Lynn! I especially love the part about the red beads falling to the floor as the monkey struggles. Poor little guy. Although I suppose he might be considered lucky to have a relatively quick death, given the cruel company he was in.

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  4. It’s a bad habit, but many times as a reader I slip out of focusing on the content/plot and more the writing and rhythm. I’ll sometimes just bask in the latter though arguably, I’m not comprehending much. I did that here, as I confess I didn’t read the earlier entries and so I have a loose feel for the scene. But you’ve painted a world that’s lush and intriguing, and it’s fun to watch you write! I’d like to sit down and read the whole piece in a paperback sometime. Make it so…

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    1. Ha! Love that. I’m so glad the fun of it comes across – it’s an absolute hoot to write. I know that sounds twisted given the dark themes, but it feels like being let off a camp, Gothic leash 🙂 As it seems to be a longer story than I’d initially thought it would be, I have considered serialising it on Wattpad or some similar site. Not sure if it’ll be long enough to publish, but then the parameters have changed I think and shorter works are published more often, right? Anyway, thanks for the encouragement. I’ll keep dipping my toe into that dark world for a while longer yet

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