The Captive River

Image: Pixabay

 

Released from the house, from fairy lights and the pressure to eat more sugar, I wander up the hill, supposedly to buy bread and milk, but really to escape and breathe air that doesn’t smell of pine and cinnamon and the vinegary tang of last night’s red wine.

I’m disappointed.

There’s no ice out here, no sparkling clarity and breath-fogged air – a midge cloud batters my face, warmth collects uncomfortably under my coat and the Christmas gifts of hat and gloves have to be stowed in my shopping bag before I’ve taken twenty paces.

The supermarket is a five minute walk from our front door ‒ down the winding slope of the burial ground, past the last two remaining gravestones, commemorating an engaged couple who slipped beneath the choppy waters of the Severn on a pleasure cruise over a hundred and fifty years ago.

But I need to be in the world for longer than the graveyard will give me, so I turn up Dunkerry Road, towards the council flats and the playground painted with purple galaxies and flaking stars. In a couple of days’ time, the pavements will teeter with recycling boxes, dreary with crumpled wrapping paper, shedding spruce trees with ribbons of tinsel still clinging to balding twigs. But not today. Today, let’s pretend Christmas is still with us, before midnight on the 31^st murders the season for good.

Back down another hill, past that mysterious heap of blackened banana skins that’s grown every time I see it, a fresh yellow caste added to its peak every day.

Crossing the road by the station, I zigzag through the steel bars that keep out bikes and joyriders and I’m in Cotswold Green. It’s not ancient, never a medieval focus for May poles and summer fetes, but an absence, a hole created when wartime bombs levelled a terrace of houses that no one had the energy or focus to rebuild once the skies went quiet.

I keep clear of the grass, cautious of what dog walkers haven’t bothered to clear, though we clambered the slopes in August to pick blackberries for a crumble and there’s a sloe bush somewhere, though it’s hard to remember exactly where in the tangle of thorns.

On the tarmacked footbridge I stop to look at the Malago River running beneath. Barely a river, more a brook, sliding over a bed of concrete slabs and energy drink cans. It’s tamed, this stream, culverted in parts, encased on one side by a Victorian sandstone wall, girders spanning the water to stop the blocks slipping down the bank.

I’ve read a plaque, a website ‒ something ‒ that says the Malago was once a danger to those terraced houses, before they were turned to brick outlines in the grass. There was a flood, people stranded – drownings. Hard to imagine the river had such power – now an irrelevance, caged and subdued to allow first the railway, then the road to dominate it.

A train clanks close by, halts and clanks again, a crocodile of coal carts bumping behind. A blackbird flies low above the water, chip-chip-chip and back up into the trees.

There’s graffiti on the bridge – sprayed by whoever created the muddy path that disappears beneath. SECRET HQ it reads in garish tangerine and I hope it was written with irony. I imagine the hidden space under the tarmac, under my feet, and think of dripping water and trolls and the excitement of being able to watch passers-by without being seen, avoiding thoughts of nitrous oxide canisters and cigarette butts and I don’t want to think what else is really there.

The rain plops loudly on the drum of my umbrella and I know I’ve been too long, that I’ll be missed, that strip lights and packaging and canned music wait for me in the supermarket and I that can’t avoid them.

But for a little while, the green corridor of the river belonged to me and the sparrows and that was enough.

 

 

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