
I’m away from my laptop this week, so I’ve scheduled this snippet. I’ll catch up with comments next weekend. Have a great week, all.
***
The dining room door was slightly ajar. That would be his mother, Elizabeth β she liked him to listen to the chatter, gauge the tone of the evening before his big entrance. The voices were hushed, barely raised above a whisper. One male voice β a bass drone β his motherβs choppy alto, then a twitter of sopranos he guessed were the spinster sisters, the unsuspecting guests of honour.
Beyond the door was Elizabethβs world of candlelight and earnest conversation, the shy chink of wine glasses. Behind him was the entrance hall with its expanse of cracked floor tiles, the doors with their mottled brass plaques β billiard room, library, study β empty titles for unused spaces.
What his mother and the spinsters and the bass voiced man didnβt realise was that darkness was as full of colour and noise as daylight. If only theyβd pay attention.
Somewhere upstairs a door thumped open and shut, caught in the draught from an open window. Goose bumps roughened his arms to shark skin. The dead were gathering around him, brushing against him, waiting for him to speak for them.
The grandfather clock struck, eight chimes that echoed in his chest.
βMatthew?β
It was time.
***
Bit of practice writing around characters from the current WIP.
Matt is a sixteen-year-old psychic, he and his mother Elizabeth make money from wealthy, bereaved clients. And Matt usually calls his mother by her first name.
Particularly like the shark’s skin. Hidden implications?
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Could be, Crispina. Just enjoying trying to come up with new descriptions too. Thanks so much for reading
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As ever…. π
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π
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So atmospheric, Lynn. Loved how you made the scene come alive through sound.
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Thanks so much Matthew. Very kind
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want to read more of this Lynn, draws you in, very visual
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Thank you very much Alyson. I’m trying to write more – it’s a slow process, though π
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