Friday Fictioneers: Across the Cat and Fiddle

PHOTO PROMPT © CEAyr

Dad bought the Austin from a travelling salesman he met in the King’s Arms.

The leather seats were cracked like baked mud, the window seals perished to powder and we kids could watch the road speed beneath our feet where spots of floor had rusted through.

Sunday afternoons we’d drive across sullen brown moors filmy with mist, heading for the Cat and Fiddle Inn. Mum and Dad would go inside for pints of bitter and ports and lemon, leaving us in the car sucking lemonade through flattened straws, the wind making the car rock like a lightly moored tug boat.

***

Written for Rochelle Wisoff-Field’s Friday Fictioneers. See the photo and let your imagination wander. See here to join in.

The Cat and Fiddle is the second highest pub in England, set in the Derbyshire moors. Famous for its barren location and the highly dangerous, snaking road that takes its name, it’s close to where I grew up in Buxton, Derbyshire.

OLD POSTCARD RP Cat Fiddle Pub Buxton Derbyshire Vintage Car 1930S Cv179 -  £2.99 | PicClick UK

Crimson’s Creative Challenge #83: Goodbye Dolly

CCC#83

Dolly pushed her nose against my shoulder. Warm smells of manure and hay and horse enveloped me.

‘Go on, now,’ I said, gently pushing her back.

She sensed something was different, a wrongness that made her nod and kick the stable door.

‘All right, I know.’ I pressed my face against hers, felt the brush of her whiskery lips, soft as kid gloves.

I turned then, hefted my pack and crossed the yard, cobbles and runoff slipping under my boots.

Mother stood at the farmhouse door, arms folded, a barrier never to be crossed. I nodded and she slipped back inside without a word.

Tom paced at the crossing, tipping his cap back when he saw me. ‘For King and Country, then,’ he said.

Poppies shivered on the bank along the lane, a scarlet ribbon leading us on to adventure.

‘For King and Country,’ I said.

***

Written for Crispina Kemp’s Crimson’s Creative Challenge. Use the photograph to take you to different worlds. See here to join in.

And to accompany the story, an apt song from the time.

A taste of freedom

Image: Pixabay

The way down from the cliffs was a struggle, the boulders less even than they looked from a distance. The bladder wrack was still wet, slippery under her heels and she had to use one hand to hold her skirts up – she could just imagine how much trouble she’d be in if her only black dress was marked with slime and seawater.

‘Wait for me,’ she called.

Charlie was already a way ahead, striding from rock to rock. His trousers wore twin stripes down the hips, brown and green where he’d carelessly wiped his hands. His patent boots were muddy to the ankle.

Every part of her life felt shackled – working at the big house, the housekeeper with her sharp black eyes, the mistress running pudgy fingers over every mantel and sill. Free time was rare and even then she was not permitted to walk along the Front or go to the music hall or the fair, only to Church or on ‘improving walks’.

How she envied him those boots, those trousers.

She closed her eyes, breathed in the salt tang. Her corset pinched at the waist, on her lower ribs, cut under her arms. Even her breathing wasn’t free.

This was the closest she came, though.

If they sneaked down the beach, out of sight of the Grange, in the shelter of the boulders, there was privacy of a sort. The wind whipped sand in her face, tugged hair from its pins so it caught in her mouth, flicked against her cheeks – she loved it all.

Gulls soared overhead, hovering, wheeling, calling her to join them, mocking when she couldn’t.

‘Come on!’

Charlie had made it to the mouth of the cove. He sat on the sand, peeling off his boots and socks, turning up his trouser legs. He wriggled his toes in the sand like a little boy.

The closest thing to freedom.

***

The image is of Seafield House in Westward Ho!, UK. My current obsession.

Friday Fictioneers: The Linnet of Livorno


PHOTO PROMPT © Douglas M. MacIlroy

Granny Cora was in music hall back in the day.

She started aged seven with her parents and four siblings – The Flying Beneventis – though the family name was Mossop and the closest Granny came to Italy was sharing a Penny Lick on Blackpool seafront.

At the age of twenty-one Granny married her manager, Gordon, and shed her leotard to become a novelty act – The Linnet of Livorno. She’d stand alone in the limelight and whistle. One moment she was a blackbird, the next a mistle thrush, always ending with a song to make the heart break – the nightingale.

***

Written for Rochelle Wisoff-Field’s Friday Fictioneers. See the picture prompt write, share and read the work of others.

I don’t know what the bird in the picture is – I’m pretty sure it’s not a mistle thrush, a blackbird, a nightingale, or even a linnet. But whatever she is, she inspired me to travel back in time.

NB

A Penny Lick was a small glass for serving ice cream most common during the late nineteenth and early twentieth centuries. The glass would be rinsed off (not very well!) before being used for the next customer.

Wilton’s Music Hall is the oldest music hall still standing in London. It really gives an idea of what a typical Victorian music hall was like.

Jane Dougherty’s Words and pictures poetry challenge: The Whisperer

Michael_E._Arth_-Moscow_Metro-_oil_painting,_1980

Tasha had taken the cold journey from home in her stride. She examined every passersby closely: the women with their head scarves in shades of mud; the men’s faces hidden by Party caps, their hunched, overcoated shoulders.

She watched the trams and buses jostle through the city, along Gorky Street. The child hardly spoke, her expression curious but calm – she hadn’t reached for her grandmother’s hand once, not even when a milkman’s horse reared as they crossed the road.

‘This way, Tasha.’

The girl followed Ludmilla obediently, wide, dark eyes everywhere as they entered the metro station. The vaulted roof was golden and blood red with Soviet stars, chandeliers and mosaic tiles blinding in electric candlelight.

Ludmilla caught a glimpse of Tasha’s reflection as they rode the escalator to the next platform. That river of brunette hair, the narrow, pale face – she could almost be her Kaya at that age.

The golden station glittered and dissolved. She turned away, not wanting her tears to be seen. Her poor, betrayed Kaya.

A small hand slid into Ludmilla’s and she shivered. ‘Aren’t you looking forward to me getting my special prize, Babushka?’

‘Of course,’ said Ludmilla, trying to smile.

Tasha held her hand for the rest of their journey and it took all Ludmilla’s strength not to scream.

***

During the Soviet period, children were actively encouraged to inform on adults, even if they were relatives – even if they were their parents. See the story of Pavlik Morozov. Though the truth of the Pavlik legend is contested, the fact he was hailed as a hero by the Soviet state is not.

Written for Jane Dougherty’s Words and pictures poetry challenge. And what a fabulous painting she’s chosen. It’s entitled Moscow Metro and it’s by Michael E. Arth. Yes, I know it’s supposed to be a poetry challenge, but Jane was happy for me to write prose, so here it is.

What Pegman Saw: Madam Light (Post number 1,000)

Image: Google Street View

To the Bobbies she’d give the names Molly Brand, Moll Prate, Maggie Gardener, according to her whim. But to us of the rookery she was always Madam Lighthouse – Light if she looked on you kindly.

It was Light who used the cabbies, the bill posters, the street sweepers and hawkers as her eyes and ears, gave protection in exchange for all they knew.

It was Light who warned us of fresh-faced beat coppers out for an easy collar, of gangs bringing their own toms and dippers into our patch. And when sober requests to move on were rebuffed, it was Madam Light’s boys who did what had to be done.

She shined bright, steady as Dover’s white cliffs, for twenty glorious years.

Until this morning.

She was found in her chair, boots on the grate, pipe hanging slack from her lips.

Light snuffed out.

***

Written for What Pegman Saw, the prompt that uses Google Street View as inspiration. This week we visit Silver Bay, Minnesota. See here to join in.

NB

Rookery – dense collection of houses, especially slums.

Bobbies/coppers – policemen (I would say ‘police officers’ but in the Victorian period in which this story is based, there were only male officers).

Toms – prostitutes.

Dippers – pickpockets.

Last month was Word Shamble’s fifth anniversary and this is my 1,000th blog post.

The blog has developed over time – I’ve tried humour, book-based posts, a serial and now mainly write flash fiction. I’ve had a lot of fun and ‘met’ a lot of lovely people – both in the UK and abroad.

Thanks to all who’ve read and commented over the last 1,000 posts, my WP family. Hope you can hang around for the next 1,000.

Crimson’s Creative Challenge #67: Twilight at Bicker’s Mill

CCC#67

What remained of Bicker’s Mill still stood, the wooden pillar like a lighthouse in an ocean of reeds and sedge.

Mist was developing as we approached the whitewashed boards, not so much rolling in across the marshes, but rising upwards as if expelled from the ground.

Dor had waded close behind me all the way from the road, grumbling about the wet and the cold and the wisdom of being at the ‘Tween Place’ at twilight. She mumbled, the words becoming formless, an incantation against my foolishness.

‘Hush now,’ I said, taking her hand, and the warmth of me quietened her a little. ‘You know why we’re here.’

The sun settled low, the clouds ink and fire, the low mist a stubborn grey. I lit a smoky fire to warm our hands, to ward off the tremors.

As night crept in, Dor stared across the marsh. ‘There,’ she said.

***

Written for Crimson’s Creative Challenge #67. See here to join in.

Crispina’s talk of Boggarts and Trolls led me to comment about the nature of these between places and the belief that the margins between dry land and water were also margins between this world and others.

Perhaps also part of the reason bog body sacrifices such as Tollund Man (below) were made in Europe through pre-history.

Image result for tollund man

Crimson’s Creative Challenge #66: The Knapper

CCC#66

A last bus rumbled past, leaving behind it diesel fumes and a wash of gutter water.

The night was restless with weaving drunks, corners stuffed with sleeping bags and cardboard mattresses for the city’s homeless.

‘Does it have to be now?’ Marv whispered.

Tyche pushed knotted hair from her eyes. ‘When else?’ She approached the old gaol wall, its dark mosaic of flint nodules.

‘We’re gonna end up in jail ourselves, only it’ll be more shared lavs and shivs than pretty rocks.’

‘Here.’ She knelt by the rusted grill, hand on a particular ball of flint. ‘Get to work, Knapper.’

Sighing, Marv eased down beside her. The wall seemed to glow a little, a faint luminescence only visible away from the street lights. Placing a swollen knuckle on the light, he struck.

Splinters fell to the pavement. A song floated, sinuous on the air. Such longing.

‘We’re here,’ hissed Tyche.

***

Written for Crimson’s Creative Challenge #66. Go here to join in.

NB. Tyche was the Greek Goddess who governed the prosperity and fortune of a city.

Flint is a fascinating material that was used for weaponry and tools long before it was used to make buildings. It’s almost a mystical thing, to watch an expert knapper create an arrowhead from a solid, brittle ball of flint.

And for fun, I thought I’d include a video of my favourite knapper – archaeologist Phil Harding from Wessex Archaeology. And if you want to imagine Phil as Marv, feel free.

What Pegman Saw: Blackbirding

Image: Googgle Street View

Solomon crouched to the last snare. This was often the best place – dense shrubs in the lea of a tumbledown wall, the sound of waves crackling over the shingle beach below.

The blackbird eyed him. It lay on its side as if tipped by the wind, exhausted from fighting the snare. A young cock, strong, clean feathers. The scales on its left leg were torn away, bloodied, the foot nearly off where the wire had pulled tight.

The sun was almost up, the world all greys, the blackbird a scrap of night with a golden beak.

Solomon enclosed it in his hand, rubbing the soft head with his thumb. The bird was too tired to fight, breaths coming fast and shallow.

He’d always liked blackbirds – smart, handsome, harmless.

The neck broke easily with a twist of his fingers. He tossed the corpse into the sea.

Poor eating on a blackbird.

***

Written for What Pegman Saw, the prompt that uses Google Streetview. This week we are in Vanuatu in the Solomon Islands.

On reading the history of the islands, I found they were a target for slavers seeking labour for sugar plantations. This practice was called ‘blackbirding’.

Night of the crying women

Image: Bernd Rehbein Pixabay

I’m away from my laptop this week so thought I’d share this, a story that won first place in a competition a few years ago. It’s a longer read than normal but worth it, I hope. As it was part of a Bronte anniversary comp. can any of you guess which of the sisters’ novels inspired it? Answers in the comments, please.

***

‘Got the look of an old lag about her,’ said Grandad, fingertip tapping the rain speckled pane.

‘Like you’d know,’ said Mum. ‘Come on, you’ve sagged again.’ She slipped her arms under his, yanking him up in his chair, plumping his jumper like she was arranging a cushion.

‘Leave me alone,’ he grumbled, swatting at her. ‘I’ve met crooks enough to know one. Come here, our John. Have a look.’ He tugged me close, pointing towards the street below.

From our sixth floor window, I could see the roof of The George Inn where Mum worked on weeknights and next to it the playground, with its crisscross paths and the frame with the missing swings.

‘What?’ I said, not sure what I was looking at.

Then I saw her, hunched against the wind, hair the colour of Tizer whipping from a squashy knitted hat. She pushed a tartan shopping trolley that flapped with empty carrier bags.

‘She’s wearing slippers,’ I said.

‘You see,’ said Grandad. ‘Probably pinched’em from Terry at the market.’

Mum had put on a rain hat and her coat, transforming the hat’s slithering ties into a bow with a twist of her fingers. ‘Her name’s Gracie, she comes in the pub. Downs three milk stouts every night then rolls home.’

Mum headed for the door. ‘The only criminal thing about her is the quarter of gin she hides in her trolley to sneak in her stout. Now Dad, stop talking codswallop. John, off to bed – and mind you brush your teeth.’

***

The next time I saw Gracie, I was sitting on a bench in the playground with Ed and Dougie from the flats. Ed had a bottle of Cream Soda and I’d brought two Penguin biscuits from home to share. Dougie didn’t bring anything – the cupboards in his place were always empty.

I was licking the last squishy chocolate from a Penguin wrapper, when Dougie said, ‘Seen her?’ Gracie was crossing the park with her trolley. ‘Nutter,’ he said and returned to peeling the label off the bottle.

‘Don’t do that,’ said Ed. ‘I want the money back on it.’ He nodded towards Gracie. ‘Mum says we should keep away from that old cow. Says noises come out of her flat at night.’

‘What kind of noises?’ I said.

Ed shrugged. ‘Weird ones. Mum says the old woman’s neighbour Mr Brocklehurst has complained to the council but they don’t give a monkey’s so long as the rent’s paid.’

‘Her trolley rattles like it’s full of empties,’ said Dougie. ‘And she smells like the drain outside the pub.’

‘Wonder what the noises are,’ I said.

Dougie snatched up the Cream Soda bottle and threw it hard. It fell just short of Gracie’s slippers, shattering into a million shards that skittered over the tarmac.

‘Bloody idiot,’ said Ed, punching Dougie hard on the leg. ‘You owe me the money on that.’

Gracie didn’t even pause, but trudged on towards The George.

***

We were walking back from school the next day when Ed raised the subject of Gracie again.

‘I went up to listen at the old bag’s flat last night.’

‘Why?’

‘Cos Mr Brocklehurst is above us and he was moaning and pacing and banging his stick on her wall – noisy pig. So I waited till my dad was watching the news and slipped out. Wanted to hear for myself.’

‘And?’ I said.

His pace slowed to a crawl. ‘Voices. Hers – and others too. Women mainly, but a man an’all – he was shouting. And there was a scraping noise – like chairs dragging across a floor.’

My pulse thudded in my throat. ‘My mum says she lives on her own.’

He nodded, eyes on the ground. ‘And she’s got no telly.’ We walked on in silence, sucking our liquorice sticks until they went soft.

As the shadow of the flats fell over us, Ed said, ‘I’m going back tonight. Coming?’

I stopped. ‘What?’

‘Don’t you want to know what the noises are?’

I was curious, but I hated walking round the flats in the dark. There were too many shadows.

‘Well, I’m going tonight. Coward.’ Ed banged through the double doors.

I paused just a second. ‘Ed! Wait up,’ I shouted.

***

Mum was working at the pub that night and I knew Grandad would be asleep in his armchair by half nine, so I found the torch, put it in my coat pocket and sneaked both into my bedroom. Grandad was snoring by quarter past nine and he didn’t stir as the front door clicked shut behind me.

The light was out on our landing and the weak glow from the torch only lit a small puddle at my feet. Cigarette packets, stubs, a baby’s dummy, all slid in and out of the puddle as I walked.

‘John!’

My heart beat in my ears, the torchlight quivered.

‘Over here.’

Ed stood in the shadow of a flight of stairs, coat over his pyjamas. A second figure stood beside him.

‘Alright, John.’ It was Dougie.

A click and another beam of light shone out, wavering upwards to settle on Ed’s face. ‘I told him what we were doing and he just turned up.’

‘Let’s go sort this old bird out then,’ said Dougie, heading for the lift.

I gave Ed a look but he just shrugged. ‘Yeah, I know. But what could I do?’

All I could think of was spikes of a shattered Cream Soda bottle.

‘Stinks of pee in here,’ said Dougie as the lift groaned and rattled.

A few seconds passed, there was a ping and the doors juddered open.

‘This way,’ said Ed, shining his torch along a row of blank doors.

At each flat I heard a muffled telly and dull voices. I was sure at any second someone would tell us off and send us home. But the wind tumbled empty crisp packets and whistled along the balconies – and no one came. At the end of the row, Ed stopped.

Shining his torch on a peeling door, he whispered, ‘Mr Brocklehurst’s.’ Then, the light slid sideways and we were there.

We listened, breathless.

A thump – loud and solid, like a body hitting the floor – followed by voices. A woman was singing – a tune that pulled at my insides. A man’s voice barked orders – the thwack of a stick. And weeping, the quiet kind of crying someone does when they don’t want other people to hear but can’t keep the tears in. Sadness filled me up, sitting behind my eyes till I felt like it would spill over.

‘What do you think?’ It was Ed, face pale, eyes big as golf balls.

For a second, I had been in the flat with the women, waiting for the stern man with the stick. ‘Is it the same as before?’ I whispered.

He nodded.

I tried to keep my fear pressed down, reminded myself we weren’t babies, that there would be good reason for the noises. But all I could think was one thing.

‘Ghosts?’ I whispered.

A fresh noise – the screech of unoiled metal, so sharp it pricked my eardrums like a needle. My heart beat against my ribs. I ached for the loo, for my bed and realised we hadn’t decided what we’d do when we reached Gracie’s door.

‘It’s open.’ Dougie stepped inside. Ed snatched at his sleeve, but grabbed only air.

‘What shall we do?’ said Ed. In the torchlight, he looked smaller than he did in the day.

There was nothing for it. I took a step, another and I was in.

Soon Ed followed on behind me, our torch beams overlapping, brightening the darkness so it was just light enough to see without bumping into things.

‘Don’t like the smell,’ said Ed.

It was like burning and wee that hadn’t been cleaned away.

‘Dougie!’ I called, but quietly, hoping I was loud enough for Dougie to hear and quiet enough for Gracie not to.

Thwack! The sound of a stick against railings. The pitter-pat of tiny paws.

‘Hell.’ Scampering from the torchlight, over a heap of rags and old newspapers, went one small tan body then another. ‘Mice,’ I breathed.  

Crying again, from our right. I felt Ed’s arm brush mine and realised we’d huddled so close we almost tripped over each other as we walked, though neither of us pulled away. We followed the noise along the hall, towards a doorway glowing with dull orange light. The burnt smell grew stronger, catching at my throat.

‘Dougie?’ My heart tripped fast.

We turned into the room, into the sound of crying, the squeal of metal hurting my head. I stopped, unable to think what was happening.

The air was filled with smoke that stung my eyes and there was an armchair with a body slumped in it, another kneeling on the floor and the noise was so loud and the kneeling figure was Dougie and he looked up at us, his face shining and wet.

‘I think she’s dead,’ he said.

***

Someone had put blankets around our shoulders. Someone else had made us tea.

‘Don’t like tea,’ said Dougie and an ambulance man cuffed him round the head.

I heard the clack of Mum’s heels before I saw her. She stood apart, rain hat in her hand, nodding as a man in a uniform talked.

‘… old asylum nurse … lived onsite there for thirty years – turned her a bit odd I reckon. Didn’t like the quiet when she retired, so one of the staff made a recording – crying, the wardens, squeaking hinges – to help her sleep. Nowt so queer as folk, eh?’

Mum arms were crossed, face stern as the Queen’s on a stamp.

‘What were you thinking?’ she said.

I shrugged, too tired to explain and not sure I could. ‘Is she okay?’

Mum sighed. ‘She will be. Dropped a fag on the carpet – could’ve burned the whole of Thornfield House down. Come on. Let’s get you home.’

Ed raised a hand as I passed, Dougie too, his face smeared with drying tears and dirt. Both of them looked worried, as if they could still hear the women crying.

‘See you at school,’ I said.